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Unlogical instrument: Material-driven gesture-controlled sound installation

Published: 10 July 2023 Publication History

Abstract

This proposal describes the design and demonstration of the Unlogical Instrument. This textile-based gesture-controlled sound interface invites the audience to generate sound by interacting with the textile using different gestures, such as poking, flicking, and patting. Unlogical is a statement about breaking the dogmatic approach of commonly used musical instruments. It brings resilience to the form of musical expression and interaction for the audience. It introduces an interactive mechanism mediated by intuitive human gestures and the curiosity to explore tangible material. Unlogical Instrument locates the focus on the textile. This artwork investigates the relationship between the gestures and the sound perception that originates from the textile through a material-driven approach. Inkjet printing is applied to transfer the original textile into a sensorial interface. The audience will listen to the sound while interacting with the textile surface, exploring and understanding this instrument through free-form playing.

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References

[1]
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Ze Gao, Xiaolin Zhang, Sijin Zhu, and Tristan Braud. 2022. Metanalysis: A connected-wall video installation based on the movement of traditional Chinese ink painting. In 2022 Third International Conference on Digital Creation in Arts, Media and Technology (ARTeFACTo). IEEE, 1–6.
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Monika loss and Christina Kuehnl. 2019. Feel the Music! Exploring the Cross-modal Correspondence between Music and Haptic Perceptions of Softness. Journal of Retailing 95, 4 (2019), 158–169.
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Gili Weinberg, Maggie Orth, and Peter Russo. 2000. The Embroidered Musical Ball: A Squeezable Instrument for Expressive Performance. In CHI ’00 Extended Abstracts on Human Factors in Computing Systems (The Hague, The Netherlands) (CHI EA ’00). Association for Computing Machinery, New York, NY, USA, 283–284. https://doi.org/10.1145/633292.633457
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Irmandy Wicaksono, Don Derek Haddad, and Joseph Paradiso. 2022. Tapis Magique: Machine-Knitted Electronic Textile Carpet for Interactive Choreomusical Performance and Immersive Environments. In Creativity and Cognition (Venice, Italy). Association for Computing Machinery, New York, NY, USA, 262–274. https://doi.org/10.1145/3527927.3531451
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Cited By

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  • (2023)Envisioning Wearable Color-Changing Device to Facilitate Emotion Recognition and Communication in Children with Autism Spectrum DisorderProceedings of the Eleventh International Symposium of Chinese CHI10.1145/3629606.3629642(367-373)Online publication date: 13-Nov-2023

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cover image ACM Conferences
DIS '23 Companion: Companion Publication of the 2023 ACM Designing Interactive Systems Conference
July 2023
296 pages
ISBN:9781450398985
DOI:10.1145/3563703
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected].

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Published: 10 July 2023

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Author Tags

  1. Material-Driven-Design
  2. gestures
  3. musical instruments
  4. playability.
  5. sensorial interaction
  6. smart textile

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DIS '23: Designing Interactive Systems Conference
July 10 - 14, 2023
PA, Pittsburgh, USA

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View all
  • (2023)Envisioning Wearable Color-Changing Device to Facilitate Emotion Recognition and Communication in Children with Autism Spectrum DisorderProceedings of the Eleventh International Symposium of Chinese CHI10.1145/3629606.3629642(367-373)Online publication date: 13-Nov-2023

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