skip to main content
research-article

(Re)collecting Craft: Reviving Materials, Techniques, and Pedagogies of Craft for Computational Makers

Published: 04 October 2023 Publication History

Abstract

This paper examines craft's foundational relations to materials, techniques, and collaborative modes of teaching and learning, and these can be called upon to strengthen and extend computational craft as practiced in fields like CSCW and HCI. Drawing from literature in HCI, craft studies and Science and Technology Studies (STS), we explore craft's modern formation at the dawn of the Industrial Revolution across three formative sites: Scandinavian Slöyd, British Arts and Crafts, and Japanese Mingei. From this review we identify three key (and still evolving) features: craft's accountabilities to natural materials and local ecologies; craft's holistic ways of making with 'head, heart, and hand'; and craft's distinctly collaborative and embodied styles of teaching and learning. We then show how these lessons can be applied to contemporary practices and pedagogies of computational making. We argue that doing so can help to rebalance computation's ecological ties and relations, recenter its practice on a sensorially rich and 'whole-self' concept of making, and support more collaborative modes of teaching and learning that are inclusive, relational, and heterogeneous.

References

[1]
Glenn Adamson. Thinking through Craft. New York: Berg, 2007.
[2]
Judith Amores and Pattie Maes. 2017. Essence: Olfactory Interfaces for Unconscious Influence of Mood and Cognitive Performance. In Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems (CHI '17). Association for Computing Machinery, New York, NY, USA, 28--34. https://doi.org/10.1145/3025453.3026004
[3]
Ian Arawjo. 2020. To Write Code: The Cultural Fabrication of Programming Notation and Practice. In Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems (CHI '20). Association for Computing Machinery, New York, NY, USA, 1--15. https://doi.org/10.1145/3313831.3376731
[4]
Paul Atkinson. 2013. Blowing Hot: The Ethnography of Craft and the Craft of Ethnography. Qualitative Inquiry. 19(5) 397--404 sagepub.com/journals https://doi.org/10.1177/1077800413479567.
[5]
Jason Barney. 2021. When Bloom's Gets Ugly: Cutting the Heart out of Education. Available online. https://educationalrenaissance.com/2021/03/06/when-blooms-gets-ugly-cutting-the-heart-out-of-education/.
[6]
Jean Baudrillard. 2005 The System of Objects. Verso.
[7]
Bean, Jonathan & Rosner, Daniela. (2012). Old hat: Craft versus design?. Interactions. 19. 86--88. https://doi.org/10.1145/2065327.2065344
[8]
Puig de la Bellacasa, M. (2011). Matters of care in technoscience: Assembling neglected things. Social Studies of Science, 41(1), 85--106. https://doi.org/10.1177/0306312710380301
[9]
Steve Benford. 2015. Of Guitars, Stories, Luthiery and Hybrid Craft. In Proceedings of the 2015 ACM SIGCHI Conference on Creativity and Cognition (C&C '15). Association for Computing Machinery, New York, NY, USA, 1.
[10]
Charles Bennett. 1937. History of manual and industrial education, 1870 to 1917. Peoria, Ill.: The Manual arts press. https://archive.org/details/historyofmanuali00bennrich
[11]
Paulo Blikstein and Dennis Krannich. 2013. The makers' movement and FabLabs in education: experiences, technologies, and research. In Proceedings of the 12th International Conference on Interaction Design and Children (IDC '13). Association for Computing Machinery, New York, NY, USA, 613--616. https://doi.org/10.1145/2485760.2485884
[12]
CA Bowers. 2001. Toward an Eco-Justice Pedagogy. Educational Studies;32(4):402.
[13]
Susan Buck-Morss. 1989. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge, Mass.: MIT Press.
[14]
Leah Buechley and Hannah Perner-Wilson. 2012. Crafting technology: Reimagining the processes, materials, and cultures of electronics. ACM Trans. Comput.-Hum. Interact. 19, 3, Article 21 (October 2012), 21 pages. https://doi.org/10.1145/2362364.2362369
[15]
Bulow, J. (1986). An Economic Theory of Planned Obsolescence, in the Quarterly Journal of Economics, New York: John Wiley & Sons, Inc. Issue N° 101 (4): p. 729--749
[16]
Nicole Burisch, Anthea Black: From Craftivism to Craftwashing. 2016. Online audio recording. Available at: https://soundcloud.com/goldsmithsuol/subversive-stitch-craftivism
[17]
Otto von Busch. 2013. Collaborative Craft Capabilities: The Bodyhood of Shared Skills. The Journal of Modern Craft. 6. 135--146. Https://doi.org/10.2752/174967813X13703633980731
[18]
Amy Cheatle and Steven J. Jackson. 2015. Digital Entanglements: Craft, Computation and Collaboration in Fine Art Furniture Production. In Proceedings of the 18th ACM Conference on Computer Supported Cooperative Work & Social Computing (CSCW '15). Association for Computing Machinery, New York, NY, USA, 958--968. https://doi.org/10.1145/2675133.2675291
[19]
Simon Clarke. 1995. Management and Industry in Russia. Edward Elgar Publishing
[20]
Virginia Davis. 1995. Morris and Indigo Discharge Printing. The William Morris Society. JWMS Vol. 11 No. 3 (Autumn)
[21]
Laura Devendorf and Daniela K. Rosner. 2017. Beyond Hybrids: Metaphors and Margins in Design. In Proceedings of the 2017 Conference on Designing Interactive Systems (DIS '17). Association for Computing Machinery, New York, NY, USA, 995--1000. https://doi.org/10.1145/3064663.3064705
[22]
Laura Devendorf, Kristina Andersen, and Aisling Kelliher. 2020. Making Design Memoirs: Understanding and Honoring Difficult Experiences. Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems. Association for Computing Machinery, New York, NY, USA, 1--12. https://doi.org/10.1145/3313831.3376345
[23]
Laura Devendorf, Katya Arquilla, Sandra Wirtanen, Allison Anderson, and Steven Frost. 2020. Craftspeople as Technical Collaborators: Lessons Learned through an Experimental Weaving Residency. Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems. Association for Computing Machinery, New York, NY, USA, 1--13. https://doi.org/10.1145/3313831.3376820
[24]
Jane Eyestone. 1992. The Influence of Swedish Sloyd and Its Interpreters on American Art Education. Studies in Art Education, 34(1), 28--38. https://doi.org/10.2307/1320596
[25]
Mikhaila Friske, Jordan Wirfs-Brock, and Laura Devendorf. 2020. Entangling the Roles of Maker and Interpreter in Interpersonal Data Narratives: Explorations in Yarn and Sound. Proceedings of the 2020 ACM Designing Interactive Systems Conference. Association for Computing Machinery, New York, NY, USA, 297--310. https://doi.org/10.1145/3357236.3395442
[26]
J Galey 1981. The spirit of apprenticeship in a master craftsman. Contributions to Indian Sociology, 15(1--2), 3--12. https://doi.org/10.1177/006996678101500101
[27]
Lewis Gersh. The velocity of iobsolescence. Forbes. June 29, 2013 https://www.forbes.com/sites/lewisgersh/2013/07/29/the-velocity-of-obsolescence/'sh=66642bd65963
[28]
Neil A. Gershenfeld, 1999. When things start to think. New York: Henry Holt.
[29]
Clement Greenberg. Modernist Painting. 1960. Forum Lectures at Internet Archive. Available at https://archive.org/embed/clement-greenberg-modernist-painting.
[30]
James Haigh, The Dyer's Assistant in the Art of Dying Wool: And Woolen Goods. Extracted from the Philosophical and Chymical Works of Those Most Eminent Authors, Mess. Ferguson... And, that Reputable French-dyer, Mons. De Julienne. Translated from the French. With Additions and Practical Experiments. Rivington and Son, 1780.
[31]
Takuji Hamada. 2002. The Structure and Identity of Folkcraft Pottery Traditions in Onta, Kyushu Island. Japanese Journal of Human Geography. Volume 54, Issue 5, pg 431--451. https://doi.org/10.4200/jjhg1948.54.431
[32]
Tanya Harrod 2013 ?Visionary rather than practical': craft, art and material efficiency Phil. Trans. R. Soc. A.371
[33]
HDK-Valand - Academy of Art and Design. https://www.gu.se/en/hdk-valand/sloyd-teacher-education
[34]
bell hooks. 2000. All about love. Harper Collins. New York
[35]
Steven J. Jackson and Laewoo Kang. 2014. Breakdown, obsolescence and reuse: HCI and the art of repair. In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems (CHI '14). Association for Computing Machinery, New York, NY, USA, 449--458. https://doi.org/10.1145/2556288.2557332
[36]
Jeyeon Jo and Cindy Hsin-Liu Kao. 2021. SkinLace: Freestanding Lace by Machine Embroidery for On-Skin Interface. Extended Abstracts of the 2021 CHI Conference on Human Factors in Computing Systems. Association for Computing Machinery, New York, NY, USA, Article 444, 1--6. https://doi.org/10.1145/3411763.3451756
[37]
Love Jonsson. 2007 Rethinking Dichotomies; Crafts and the digital in Neocraft, Sandra Alfondy (eds). Halifax. The Press of the Nova Scotia College of Art and Design.
[38]
Laewoo Kang and Steven Jackson. 2021. Tech-Art-Theory: Improvisational Methods for HCI Learning and Teaching. Proc. ACM Hum.-Comput. Interact. 5, CSCW1, Article 82 (April 2021), 25 pages. https://doi.org/10.1145/3449156
[39]
Norman Kelvin (eds) The Collected Letters of William Morris, Volume 2 Part A The Letters 1884. Princeton University Press 2016.
[40]
William Kentridge. 2014. Six drawing lessons. Harvard University Press
[41]
Yuko Kikuchi. Japanese Modernisation and Mingei Theory: Cultural Nationalism and Oriental Orientalism (1st ed.). Routledge. 2004. https://doi.org/10.4324/9780203644195
[42]
Ron Kline. 2015. The cybernetics moment: or why we call our age the information age. Baltimore: Johns Hopkins University Press.
[43]
Hiramatsu Kozo. "A review of soundscape studies in Japan." Acta Acustica United With Acustica 92 (2006): 857--864.
[44]
D. F. Lancy 2012. "First You Must Master Pain": The Nature and Purpose of Apprenticeship "First You Must Master Pain": The Nature and Purpose of Apprenticeship. Anthropology of Work Review (Wiley-Blackwell), 33(2), 113--126. https://doi.org/10.1111/j.1548--1417.2012.01084.x
[45]
Jean Lave. Apprenticeship in Critical Ethnographic Practice. University of Chicago Press, 2011
[46]
Emma Lazarus. 1886. A day in Surrey with William Morris. In Nineteenth-Century Design. Routledge. London 2021 https://doi.org/10.4324/9780429279485
[47]
William Fergusson Leggett. Ancient and Medieval Dyes. Coachwhip Publications 2009
[48]
D. López-Gómez. 2020. What if ANT wouldn't pursue agnosticism but care? In A. Blok, I. Farías & C. Roberts (Eds.), The Routledge Companion to Actor-Network Theory (pp.4--13). Routledge.
[49]
Philip Machanick. 2022. Principles of Computer Architecture. Grahamstown, South Africa : RAMpage Research
[50]
John William Mackail. 2007. The Life of William Morris. Delphi Classics
[51]
Peter Mantius. 2021. A new threat to New York's clean energy goals: bitcoin mining. New York Focus. Available at https://www.nysfocus.com/2021/04/13/new-york-bitcoin-mining-threat/
[52]
Andrea Mauri, Yen-Chia Hsu, Marco Brambilla, Ting-Hao Kenneth Huang, Aisling Ann O'Kane, and Himanshu Verma. 2022. Empathy-Centric Design At Scale. In Extended Abstracts of the 2022 CHI Conference on Human Factors in Computing Systems (CHI EA '22). Association for Computing Machinery, New York, NY, USA, Article 75, 1--6. https://doi.org/10.1145/3491101.3503744
[53]
Mazmanian, Melissa, et al. "Dynamic Reconfiguration in Planetary Exploration: A Sociomaterial Ethnography." MIS Quarterly, vol. 38, no. 3, 2014, pp. 831--48. JSTOR, https://www.jstor.org/stable/26635000
[54]
Malcom McCullough. 1996. Abstracting Craft: The Practiced Digital Hand. MIT Press, 1996.
[55]
Bruce Metcalf. 2000. "The Hand: At the Heart of Craft", American Craft, August/September, Volume 60, Number 4
[56]
Maigo Mika. 2018. Ontayaki Pottery Village. Available Online at https://www.maigomika.com/ontayaki-pottery-village/
[57]
Mizuo 1968 Gendai mingei-ron. Tokyo: Shinchocha:110
[58]
Brian Moeran. Yanagi Muneyoshi and the Japanese Folk Craft Movement. Asian Folklore Studies, Vol. 40, No. 1 (1981), pp. 87--99 http://www.jstor.org/stable/1178143
[59]
Brian Moeran. 1984. Lost innocence: folk craft potters of Onta, Japan. Berkeley: University of California Press.
[60]
William Morris, "Art and the Beauty of the Earth'," William Morris Archive, accessed January 14, 2022, https://morrisarchive.lib.uiowa.edu/items/show/2497
[61]
William Morris. The Art of Dyeing. The Decorator and Furnisher, Vol. 19, No. 6, March 1892
[62]
William Morris. Useful work vs useless toil. Penguin 2008
[63]
William Morris 1881. The Condition and Prospects of Art. The Architect, Vol 1, 29 October (pp. 282--284)
[64]
William Morris. 1893. News from nowhere. [Hammersmith, Kelmscott Press, sold by Reeves and Turner, London]. Available at https://archive.org/details/newsfromnowhere01morr
[65]
Michael Muller, Ingrid Lange, Dakuo Wang, David Piorkowski, Jason Tsay, Q. Vera Liao, Casey Dugan, and Thomas Erickson. 2019. How Data Science Workers Work with Data: Discovery, Capture, Curation, Design, Creation. In Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems (CHI '19). Association for Computing Machinery, New York, NY, USA, Paper 126, 1--15. https://doi.org/10.1145/3290605.3300356
[66]
NHK World Japan. 2016. A Distinctive Ceramic Treasure - Onta Yaki - Traditional Japanese Art. Available at https://www.youtube.com/watch?v=wwLUuEnwVBA&ab_channel=JapaneseArts
[67]
Helen Nissenbaum, Symposium, Privacy as Contextual Integrity, 79 WASH. L. REV. 119 (2004). Available at: https://digitalcommons.law.uw.edu/wlr/vol79/iss1/10
[68]
Michael Nitsche and Anna Weisling. 2019. When is it not Craft? Materiality and Mediation when Craft and Computing Meet. In Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction (TEI '19). Association for Computing Machinery, New York, NY, USA, 683--689. https://doi.org/10.1145/3294109.3295651
[69]
Michael Oakeshott. 1962. Rationalism in Politics and Other Essays. Methuen. London.
[70]
William T. Odom, Abigail J. Sellen, Richard Banks, David S. Kirk, Tim Regan, Mark Selby, Jodi L. Forlizzi, and John Zimmerman. 2014. Designing for slowness, anticipation and re-visitation: a long term field study of the photobox. In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems (CHI '14). Association for Computing Machinery, New York, NY, USA, 1961--1970. https://doi.org/10.1145/2556288.2557178
[71]
Seymour Papert. 1980. Mindstorms: Children, Computers, and Powerful Ideas. Basic Books, New York
[72]
Anne Pasek. Low Carbon Methods. lowcarbonmethods.com/index.html
[73]
Eric Paulos. 2012. You amateur! Interactions 19, 1 (January + February 2012), 52--57 https://doi.org/10.1145/2065327.2065338
[74]
Jovencio de la Paz. Bionumeric Organisms. Retrieved January 14, 2021. https://jovenciodelapaz.org/bionumeric-organisms
[75]
Kelly Pendergrast. Cozy Tech. Real Life. June 17, 2021. https://reallifemag.com/cozy-tech/
[76]
Simon Penny. 2017. Making sense: cognition, computing, art, and embodiment. Cambridge, Massachusetts: The MIT Press.
[77]
Hannah Perner-Wilson, Leah Buechley, and Mika Satomi. 2010. Handcrafting textile interfaces from a kit-of-no-parts. In Proceedings of the fifth international conference on Tangible, embedded, and embodied interaction (TEI '11). Association for Computing Machinery, New York, NY, USA, 61--68. https://doi.org/10.1145/1935701.1935715
[78]
Susan Peterson. 1974. Shoji Hamada; A Potter's Way and Work. New York
[79]
Nikolaus Pevsner. 1968. The sources of modern architecture and design. London: Thames & Hudson.
[80]
Nikolaus Pevsner. 1974. Pioneers of Modern Design, from William Morris to Walter Gropius. London: Penguin Books
[81]
Michael Polanyi. 1983. The tacit dimension. Gloucester, Mass.: P. Smith.
[82]
Sinikka Pöllänen and Kari Pöllänen . Beyond Programming and Crafts: Towards computational thinking in basic education. Design and Technology Education: An International Journal. Vol.24 NO. 1. March 11, 2019. https://files.eric.ed.gov/fulltext/EJ1211980.pdf
[83]
Irene Posch, Ozge Subasi, Daniela K. Rosner, Raune Frankjaer, Amit Zoran, and Tania Pérez-Bustos. 2019. Troubling Innovation: Craft and Computing Across Boundaries. In Extended Abstracts of the 2019 CHI Conference on Human Factors in Computing Systems (CHI EA '19). Association for Computing Machinery, New York, NY, USA, Paper W16, 1--8. https://doi.org/10.1145/3290607.3299010
[84]
David Pye. 1968. The nature and art of workmanship. London: Cambridge U.P.
[85]
Matt Ratto. 2011. Critical Making: Conceptual and Material Studies in Technology and Social Life. The Information Society 27, 4: 252--260. https://doi.org/10.1080/01972243.2011.583819
[86]
Charlotte Ribeyrol. 2016. Gleaming with gold and blue and cinnabar: William Morris's Colourful Revision of the Myth of the Golden Fleece. Polysèmes [En ligne], 15. mis en ligne le 15 mai 2016, consulté le 15 juillet 2022. http://journals.openedition.org/polysemes/809
[87]
H Trevor-Roper. The Invention of Tradition: The Highland Tradition of Scotland. In E. Hobsbawm & T. Ranger (Eds.), The Invention of Tradition (Canto Classics, pp. 15--42). Cambridge: Cambridge University Press. 2012.
[88]
Daniela K. Rosner and Kimiko Ryokai. 2010. Spyn: augmenting the creative and communicative potential of craft. In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems (CHI '10). Association for Computing Machinery, New York, NY, USA, 2407--2416. https://doi.org/10.1145/1753326.1753691
[89]
Daniela K. Rosner, Miwa Ikemiya, and Tim Regan. 2015. Resisting Alignment: Code and Clay. In Proceedings of the Ninth International Conference on Tangible, Embedded, and Embodied Interaction (TEI '15). Association for Computing Machinery, New York, NY, USA, 181--188. https://doi.org/10.1145/2677199.2680587
[90]
Daniela K. Rosner. 2018. Critical fabulations: reworking the methods and margins of design. Cambridge, Massachusetts: The MIT Press.
[91]
John Ruskin. The Nature of Gothic: A Chapter from the Stones of Venice. Allen, 1900.
[92]
Matthew Salesses. 2021. Craft in the real world: rethinking fiction writing and workshopping. New York: Catapult.
[93]
Otto Aron Salomon. The Theory of Educational Sloyd: The Only Authorized Edition of the Lectures of Otto Salomon. 2d ed. Rev.and ed. 1896
[94]
Richard Sennett. The craftsman. Yale University Press, 2008.
[95]
Terry Sharrer, 1971. The Indigo Bonanza in South Carolina, 1740--90. Technology and Culture, 12(3), 447--455. https://doi.org/10.2307/3102998
[96]
J Singleton. 2015. Head, heart and hands model for transformative learning: Place as context for changing sustainability values. Journal of Sustainability Education, 9, 1--16.
[97]
Robert Soden, David Ribes, Seyram Avle, and Will Sutherland. 2021. Time for Historicism in CSCW: An Invitation. Proc. ACM Hum.-Comput. Interact. 5, CSCW2, Article 459 (October 2021), 18 pages. https://doi.org/10.1145/3479603
[98]
STEQQI. Belong. available at https://youtu.be/psYkgzkiprU.
[99]
S Sterling. 2010. Learning for resilience, or the resilient learner? Towards a necessary reconciliation in a paradigm of sustainable education. Environmental Education Research, 16(5--6), 511--528.
[100]
Alan Tansman. The Aesthetics of Japanese Fascism. 1st ed. University of California Press, 2009.
[101]
The agency for Cultural Affairs. Intangible Cultural Heritage: https://www.bunka.go.jp/english/report/publication/pdf/pamphlet_en_05.pdf
[102]
W.I. Thomas and D.S. Thomas. The child in America: Behavior problems and programs. New York: Knopf, 1928: 571--572;
[103]
Cesar Torres, Wilmot Li, and Eric Paulos. 2016. ProxyPrint: Supporting Crafting Practice through Physical Computational Proxies. In Proceedings of the 2016 ACM Conference on Designing Interactive Systems (DIS '16). Association for Computing Machinery, New York, NY, USA, 158--169. https://doi.org/10.1145/2901790.2901828
[104]
Pat Treusch. 2020) Robotic Knitting. Transcript Verlag:
[105]
Aymer Valance. 1897. The Art of William Morris. London, Chiswick Press.
[106]
Anna Vallgårda and Johan Redström. 2007. Computational composites. In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems (CHI '07). Association for Computing Machinery, New York, NY, USA, 513--522. https://doi.org/10.1145/1240624.1240706
[107]
Rosa van der Veen, Jeroen Peeters, Olov Långström, Ronald Helgers, Nigel Papworth, and Ambra Trotto. 2019. Exploring Craft in the Context of Digital Fabrication. In Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction (TEI '19). Association for Computing Machinery, New York, NY, USA, 237--242 https://doi.org/10.1145/3294109.3300989
[108]
Bret Victor, Paula Te, Josh Horowitz, Luke Iannini, Toby Schachman, and Virginia McArthur. 2017. DynamicLand. (2017). https://dynamicland.org
[109]
Arto Vihavainen, Matti Paksula, and Matti Luukkainen. 2011. Extreme apprenticeship method in teaching programming for beginners. In Proceedings of the 42nd ACM technical symposium on Computer science education (SIGCSE '11). Association for Computing Machinery, New York, NY, USA
[110]
Ville-Matias Heikkilä (2020). Permacomputing. http://viznut.fi/texts-en/permacomputing.html
[111]
Ron Wakkary. 2021. Things we could design: for more than human-centered worlds. Cambridge, Massachusetts: The MIT Press.
[112]
Yanan Wang, Hebo Gong, and Zhitong Cui. 2021. ScenThread: Weaving Smell into Textiles. In The Adjunct Publication of the 34th Annual ACM Symposium on User Interface Software and Technology (UIST '21). Association for Computing Machinery, New York, NY, USA, 83--85. https://doi.org/10.1145/3474349.3480235
[113]
P. Wapner. 2016. Contemplative environmental studies: Pedagogy for self and planet. The Journal of Contemplative Inquiry, 3(1)
[114]
Ray Watkinson. 1997. Living Dyeing: Morris, Merton and the Wardles. The William Morris Society.Vol. 12 No. 3 p. 20--25.
[115]
David Whittaker. 2013. The Impact and Legacy of Educational Slöyd: head and hands in harness. Routledge
[116]
G. P. Wiggins, & McTighe, J. 2005. Understanding by design. (Expanded 2nd ed.). Alexandria, VA: Association for Supervision and Curriculum Development.
[117]
Soetsu Yanagi. & B. Leach. 1978. The unknown craftsman: a Japanese insight into beauty. Tokyo: Kodansha International Ltd.
[118]
Soetsu Yanagi 2017. Selected essays on Japanese folk crafts. (M. Brase, Trans.) (First, Ser. Japan library). Japan Publishing Industry Foundation for Culture.
[119]
Soetsu Yanagi 2018. The beauty of everyday things. (M. Brase, Trans.) (Ser. Penguin classics). Penguin Books.
[120]
Soetsu Yanagi and Bernard Leach. 1989. The Unknown Craftsman: A Japanese insight into Beauty. (Tokyo, New York, London: Kodansha International

Cited By

View all
  • (2024)The Development and (Mis)appropriation of a Digital Kit for JewellersACM Transactions on Computer-Human Interaction10.1145/3702316Online publication date: 4-Nov-2024

Recommendations

Comments

Information & Contributors

Information

Published In

cover image Proceedings of the ACM on Human-Computer Interaction
Proceedings of the ACM on Human-Computer Interaction  Volume 7, Issue CSCW2
CSCW
October 2023
4055 pages
EISSN:2573-0142
DOI:10.1145/3626953
Issue’s Table of Contents
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected].

Publisher

Association for Computing Machinery

New York, NY, United States

Publication History

Published: 04 October 2023
Published in PACMHCI Volume 7, Issue CSCW2

Permissions

Request permissions for this article.

Check for updates

Author Tags

  1. collaboration
  2. craft and computation
  3. craft studies
  4. history

Qualifiers

  • Research-article

Contributors

Other Metrics

Bibliometrics & Citations

Bibliometrics

Article Metrics

  • Downloads (Last 12 months)198
  • Downloads (Last 6 weeks)27
Reflects downloads up to 17 Jan 2025

Other Metrics

Citations

Cited By

View all
  • (2024)The Development and (Mis)appropriation of a Digital Kit for JewellersACM Transactions on Computer-Human Interaction10.1145/3702316Online publication date: 4-Nov-2024

View Options

Login options

Full Access

View options

PDF

View or Download as a PDF file.

PDF

eReader

View online with eReader.

eReader

Media

Figures

Other

Tables

Share

Share

Share this Publication link

Share on social media