Alyson Matheus de Carvalho Souza
ABSTRACT
This paper explores the integration of Virtual Reality (VR) technology in concerts, focusing on creating immersive experiences through Mixed Reality (MR) environments. By combining generative graphics, projections, and VR elements, the audience’s concert experience can be enriched and aligned with the artists’ performances and themes. The Opus Imperfectum MR experience, featuring a musical composition with four acts portraying the journey of life on Earth, exemplifies how MR can augment concert exhibitions and engage audiences in a dynamic and educational manner. The paper outlines the development process of the MR experience and discusses opportunities for further exploration of this technology.
- Richard Dawkins. 2009. The greatest show on earth: The evidence for evolution. Simon and Schuster.Google Scholar
- Alyson Matheus de Carvalho Souza, Roberta Barrocas, Martin H Fischer, Emanuel Arnaud, Korbinian Moeller, and César Rennó-Costa. 2023. Combining virtual reality and tactile stimulation to investigate embodied finger-based numerical representations. Frontiers in Psychology 14 (2023), 1119561.Google ScholarCross Ref
- Alyson Matheus de Carvalho Souza, Deborah Dantas Arruda, Carlos Eduardo Sarmento, Olavo Fontes Magalhães Bessa, Everardo Araújo Ramos, and César Rennó-Costa. 2022. Deinonychus and The Cow – Enhancing Museum Exhibitions Through the Use of Mixed Reality. In 24th Symposium on Virtual and Augmented Reality (SVR 2022) (Natal, RN, Brazil). ACM, 8. https://doi.org/10.1145/3604479.3604508Google ScholarDigital Library
- Johann Peter Gogarten and David Deamer. 2016. Is LUCA a thermophilic progenote?Nature microbiology 1, 12 (2016), 1–2.Google Scholar
- Elliot Hu-Au and Joey J Lee. 2017. Virtual reality in education: a tool for learning in the experience age. International Journal of Innovation in Education 4, 4 (2017), 215–226.Google ScholarCross Ref
- Donald Johanson and Maitland Edey. 1990. Lucy: The beginnings of humankind. Simon and Schuster.Google Scholar
- Guido Makransky and Lau Lilleholt. 2018. A structural equation modeling investigation of the emotional value of immersive virtual reality in education. Educational Technology Research and Development 66, 5 (2018), 1141–1164.Google ScholarCross Ref
- Jônatas Manzolli. 2018. Multimodal architecture of the Ode to Christus Hypercubus. In XXI Generative Art Conference Proceedings, Milan: Domus Argenia Publisher. 171–182.Google Scholar
- Jonatas Manzolli and Marcos Mucheroni. 2018. Transmediatic architecture of the ode to Christus Hypercubus.Google Scholar
- Kelsey E Onderdijk, Lies Bouckaert, Edith Van Dyck, and Pieter-Jan Maes. 2023. Concert experiences in virtual reality environments. Virtual Reality (2023), 1–14.Google Scholar
- Yeon Soon Shin, Rolando Masís-Obando, Neggin Keshavarzian, Riya Dáve, and Kenneth A Norman. 2021. Context-dependent memory effects in two immersive virtual reality environments: On Mars and underwater. Psychonomic Bulletin & Review 28, 2 (2021), 574–582.Google ScholarCross Ref
- Alyson Matheus de Carvalho Souza, Daniel Miqueias do Nascimento Barbosa, Olavo Fontes Magalhães Bessa, Everardo Araújo Ramos, and César Rennó-Costa. 2022. MedusoZoa - An Immersive and Interactive Virtual Reality Installation in a Museum. In 24th Symposium on Virtual and Augmented Reality (SVR 2022) (Natal, RN, Brazil). ACM, New York, NY, USA, 1–8. https://doi.org/10.1145/3604479.3604507Google ScholarDigital Library
- Luca Turchet, Rob Hamilton, and Anil Çamci. 2021. Music in extended realities. IEEE Access 9 (2021), 15810–15832.Google ScholarCross Ref
- Unity Technologies. [n. d.]. Unity. https://unity.com/. Accessed: 07/31/2023.Google Scholar
Index Terms
- Opus Imperfectum - A Mixed Reality Concert About the Origin of Life
Recommendations
Mixed Reality MIDI Keyboard Demonstration
AM '17: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music ExperiencesThe Mixed Reality MIDI Keyboard is a prototype designed to augment virtual reality experiences through the inclusion of a physical interface which aligns the user's senses with the virtual environment. It also serves as a platform on which the uses of ...
Headset removal for virtual and mixed reality
SIGGRAPH '17: ACM SIGGRAPH 2017 TalksVirtual Reality (VR) has advanced significantly in recent years and allows users to explore novel environments (both real and imaginary), play games, and engage with media in a way that is unprecedentedly immersive. However, compared to physical reality,...
Haptic around: multiple tactile sensations for immersive environment and interaction in virtual reality
VRST '18: Proceedings of the 24th ACM Symposium on Virtual Reality Software and TechnologyIn this paper, we present Haptic Around, a hybrid-haptic feedback system, which utilizes fan, hot air blower, mist creator and heat light to recreate multiple tactile sensations in virtual reality for enhancing the immersive environment and interaction. ...
Comments