ABSTRACT
Ombra Musici II presents a video projection of a violinist performing solo classical works on a screen installed on a rooftop terrace adjacent a major street and public plaza in Portland, Oregon during the Portland Winter Light Festival 2023. An accompanying research project asked: How do outdoor digital installations of classical music performance impact people's feelings about classical music performance? How do outdoor digital installations of classical music performance impact people's feelings about the urban environment after dark? Employing contextual observation and semi-structured interviews with a total of 117 attendees, and building on and evaluating theories of observing media audiences in urban contexts, placemaking (digital, creative, and mobile), and expanded cinema (namely montage and dispositif), the research found that group size and dynamics had a strong effect on the length of engagement with the work, that most participants used their digital devices to capture and share the experience outside of the site, that sound was crucial in creating a communal and comfortable space, as well as expanding the footprint of the performance, and that classical music in particular helped to challenge the narrative expectations of this particular public space, deepening people's connection to one another in the space. The findings may be useful for shaping both the design of digital and creative placemaking initiatives, as well as further experimentation with the presentation of classical music performance in public space.
- Zlatan Krajina. 2019. Media audiences in the urban context. The Routledge Companion to Urban Media and Communication (2019), 387–396. DOI: http://dx.doi.org/10.4324/9781315211633-41. 387.Google ScholarCross Ref
- Zlatan Krajina [1], 387.Google Scholar
- Zlatan Krajina. 2013. Negotiating the mediated city. (2013). DOI: http://dx.doi.org/10.4324/9781315882833. 45.Google ScholarCross Ref
- Zlatan Krajina [3], 45.Google Scholar
- Marek Franěk, Lukáš Režný, and Denis Šefara. 2020. The effect of music on the perception of outdoor urban environment. PeerJ 8 (2020), 1. DOI: http://dx.doi.org/10.7717/peerj.9770. 1.Google ScholarCross Ref
- Marek Franěk, Lukáš Režný, and Denis Šefara [5], 1.Google Scholar
- Yalcin Yildirim and Mahyar Arefi. 2022. Sense of place and sound: Revisiting from multidisciplinary outlook. Sustainability 14, 18 (2022), 11508. DOI: http://dx.doi.org/10.3390/su141811508 Google ScholarCross Ref
- Qi Meng, Tingting Zhao, and Jian Kang. 2018. Influence of music on the behaviors of crowd in urban open public spaces. Frontiers in Psychology 9 (2018). DOI: http://dx.doi.org/10.3389/fpsyg.2018.00596 Google ScholarCross Ref
- Levin Monroe. 1998. Notes on Music: Arts Project Becoming Reality. (July 1998). Google Scholar
- Ayse Gul Gemci and Bahar Ferah. 2020. A triangulation process of street music in public spaces: A case study of Istanbul's Istiklal Avenue. Open House International 45, 4 (2020), 427–448. DOI: http://dx.doi.org/10.1108/ohi-05-2020-0039. 433. Google ScholarCross Ref
- Ayse Gul Gemci and Bahar Ferah [10], 433.Google Scholar
- Morten Breinbjerg. 2012. Urban sound interfaces: poetic approaches to media architecture. In Proceedings of the 4th Media Architecture Biennale Conference: Participation (MAB '12). Association for Computing Machinery, New York, NY, USA, 43–46. https://doi.org/10.1145/2421076.2421083Google ScholarDigital Library
- Project for Public Spaces. 2007. “What Is Placemaking?”Google Scholar
- Louis-Etienne Dubois, H.Onur Bodur, Jonathon Anderson, Dogan Tirtiroglu, and Frederic Dimanche. 2023. Augmenting places: The impact of placemaking on behavioral intentions. City, Culture and Society 32 (2023), 100502. DOI: http://dx.doi.org/10.1016/j.ccs.2023.100502. 5.Google ScholarCross Ref
- Louis-Etienne Dubois, H.Onur Bodur, Jonathon Anderson, Dogan Tirtiroglu, and Frederic Dimanche [14], 5.Google Scholar
- Alan A. Lew. 2017. Tourism Planning and place making: Place-making or placemaking? Tourism Geographies 19, 3 (2017), 448–466. DOI: http://dx.doi.org/10.1080/14616688.2017.1282007. 2.Google ScholarCross Ref
- Nicole Basaraba. 2021. The emergence of creative and digital place-making: A scoping review across disciplines. New Media & Society (2021), 146144482110449. DOI:http://dx.doi.org/10.1177/14614448211044942. 2. Google ScholarCross Ref
- Nicole Basaraba [17], 2.Google Scholar
- Marie-Laure Ryan, Kenneth E. Foote, and Moaz Azaryahu. 2016. Narrating Space/Spatializing Narrative: Where Narrative Theory and Geography Meet. The Ohio State University Press.Google ScholarCross Ref
- Germaine Halegoua and Erika Polson. 2021. Exploring ‘digital placemaking.’ Convergence: The International Journal of Research into New Media Technologies 27, 3 (2021), 573–578. DOI: http://dx.doi.org/10.1177/13548565211014828 Google ScholarCross Ref
- Claude Fortin. 2016. Recasting the data sublime in media architecture. In Proceedings of the 3rd Conference on Media Architecture Biennale (MAB). Association for Computing Machinery, New York, NY, USA, Article 6, 1–10. https://doi.org/10.1145/2946803.2946809Google ScholarDigital Library
- Foth, M. (2017). Some thoughts on digital placemaking. In H. M. Hausler, M. Tomitsch, L. Hespanhol, & G. Tscherteu (Eds.), Media architecture compendium: Digital placemaking (pp. 203–205). avedition GmbH.Google Scholar
- Germaine R. Halegoua. 2020. The Digital City. NYU Press. 198.Google Scholar
- Miguel Fernández Labayen and Irene Gutierrez. 2021. Digital placemaking as survival tactics: Sub-Saharan migrants’ videos at the Moroccan–Spanish border. Convergence: The International Journal of Research into New Media Technologies 27, 3 (2021), 664–678. DOI:http://dx.doi.org/10.1177/1354856520982974Google ScholarCross Ref
- Benjamin Stokes, François Bar, Karl Baumann, Ben Caldwell, and Andrew Schrock. 2021. Urban furniture in digital placemaking: Adapting a storytelling payphone across Los Angeles. Convergence: The International Journal of Research into New Media Technologies 27, 3 (2021), 711–726. DOI: http://dx.doi.org/10.1177/1354856521999181 Google ScholarCross Ref
- Dave Colangelo. 2019. The Building as Screen. Amsterdam University Press.Google Scholar
- Seeburger, J. (2012). Designing and evaluating mobile multimedia user experiences in public urban places: Making sense of the field. In D. Tjondronegoro (Ed.), Mobile multimedia - User and technology perspectives (pp. 117–132). InTech. https://doi.org/10.5772/39050Google ScholarCross Ref
- Seeburger, J. (2010). Capital music: personal expression with a public display of song choice. Proceedings of the 6th Nordic Conference on Human-Computer Interaction: Extending Boundaries, 777–780. ACM. https://doi.org/10.1145/1868914.1869027Google ScholarDigital Library
- Seeburger, J. (2012). The sound of music: sharing song selections between collocated strangers in public urban places. In E. Rukzio (Ed.), MUM ’12: Proceedings of the 11th International Conference on Mobile and Ubiquitous Multimedia (pp. 1–10). ACM. https://doi.org/10.1145/2406367.2406409Google ScholarDigital Library
- Nanna Verhoeff. 2012. Mobile Screens. Amsterdam University Press.Google Scholar
- Erin Sutherland. 2021. Rediscovering campus: Urban plaza is Portland State's front door. (July 2021). Retrieved February 20, 2023 from https://insideportlandstate.pdx.edu/2021/07/12/rediscovering-campus-urban-plaza-is-portland-states-front-door/#:∼:text=The%20Urban%20Plaza%20is%20an,between%205th%20and%206th%20Avenues. Google Scholar
- Carl Abbott. 2014. The Landscape: Urban Center Plaza (2014). Google Scholar
- Martin Tomitsch. 2018. Design. Think. Make. Break. Repeat. BIS Publishers.Google Scholar
- R. Longhurst. 2009. Interviews: In-depth, semi-structured. International Encyclopedia of Human Geography (2009), 580–584. DOI: http://dx.doi.org/10.1016/b978-008044910-4.00458-2 Google ScholarCross Ref
- Germaine R. Halegoua [23], 198.Google Scholar
Index Terms
- Ombra Musici II: Classical Music Performance and Public Space
Recommendations
Automatic note transcription system for Hindustani classical music
In Hindustani classical music, notes and their different variations play an important role to arouse the aesthetic qualities of a rãga. Therefore, detection of notes is very much important to find out the different characteristics of a rãga, but the ...
Pitch-related identification of instruments in classical music recordings
NFMCP'14: Proceedings of the 3rd International Conference on New Frontiers in Mining Complex PatternsIdentification of particular voices in polyphonic and polytimbral music is a task often performed by musicians in their everyday life. However, the automation of this task is very challenging, because of high complexity of audio data. Usually additional ...
Exploring Classical Music Narratives Through Multimodality in AR/VR Experiences
Interactive StorytellingAbstractAlthough Music is considered the field of emotions and moods, every composition has a structure: beginning, development, climax and conclusion. In classical music, there are many genres, but each piece always tells a story. Even more, most ...
Comments